Founded in 1974, the Women’s Center was established to:
Dismantle, from a feminist perspective, all forms of oppression, including but not limited to those based on ability, age, class, ethnicity, gender, race, and sexual orientation.
Advocate for an equitable environment free from violence and harassment based on gender, race, and sexual orientation.
Create an anti-racist, non-sexist, queer-affirmative space where all people can feel valued and safe.
Facilitate and strengthen connections among people across lines of difference through programming and educational campaigns.
Integrate an appreciation of Women's Gender and Multicultural Studies across the disciplines.
Friday, November 12, 2010
Tyler Perry's "For Colored Girls" Analysis
While I give Perry credit for producing a stunning piece of film with gripping performances, I feel that Perry truly lost the heart of the piece. This play is incredibly empowering and shows some of the struggles that African-American women have and continue to deal with such as love, abandonment, sexual assault, and abortion. However, Perry’s Christian focused style of directing caused the powerful messages to become skewed. For instance, the young character of Nyla’s first scene is a retelling of her losing her virginity, a monologue originally written for the play character “Lady in Yellow”. However, her sexual awakening is portrayed negatively, as she ends up becoming pregnant and getting a backdoor abortion; a heartbreaking scene originally intended for the “Lady in Blue."
This melding of characters condemns unmarried sex. Furthermore, the addition of a character whose husband is “on the downlow”, as well as victim blaming in cases of sexual assault and murder results in the opposite message being sent by Perry from what Shange intended. While not a complete loss and still a beautiful movie with strong female characters, Tyler Perry’s “For Colored Girls” is sure to delight audiences…. unless they’ve read the play.